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Welcome back. Time and motion and evolution are the perceived effects of the super-abundance of Self, the Ever-Becoming One.
No thought or conception can reach this Self for it precedes conception and forms. Nothing is outside this Self in its primal oneness; as empty belief, as ecstatic Self-love.
Therefore, are all selves, entities, beings, and things its ramifications, its multitude of beliefs and forms. In its primal ecstasy of Self-love, Self has conceived of itself its duality.
Desire or Will is bound in belief. As Self conceives it creates dual beliefs of greater complexity, and of necessity, greater intelligence to unify the components of belief.
Intelligence is the ability for components of a belief to intereact. As conception creates dual beliefs of greater and greater complexity, first structure, then life, then intelligent life is built up.
But the component beliefs of the sphere or system of living, intelligent beliefs are small and many in their cap acity to believe. The first belief is division, producing duality Will and Imagination.
The second belief is synthesis, expressed duality, producing tetragrammaton. By this process complexity and intelligence are built up from Self.
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What bonus will you get? Spin our bonus slot and uncover your prize. Sending an open distress call, the crew of the Anubis then took the Scopuli's crew as subjects to experiment on with the protomolecule, of which the Anubis carried a sample.
When the Canterbury arrived to answer the distress call, the Anubis ambushed and destroyed the Canterbury with a nuclear torpedo.
Later, all members of both crews the crews of the Scopuli and the Anubis had apparently succumbed to the protomolecule infection; however, Julie Mao, after escaping the storage locker, was able to tether the ship to the asteroid BA, send a distress call, and escape in a shuttle, unknowingly bringing the infection to Eros.
The Rocinante later followed Julie's directions to the asteroid, salvaging the protomolecule sample locked in a safe and destroying the Anubis to prevent anyone from acquiring the protomolecule.
In the Third Intermediate Period , the Book of the Dead started to appear in hieratic script, as well as in the traditional hieroglyphics. The hieratic scrolls were a cheaper version, lacking illustration apart from a single vignette at the beginning, and were produced on smaller papyri.
At the same time, many burials used additional funerary texts, for instance the Amduat. During the 25th and 26th Dynasties , the Book of the Dead was updated, revised and standardised.
Spells were ordered and numbered consistently for the first time. This standardised version is known today as the 'Saite recension', after the Saite 26th Dynasty.
In the Late period and Ptolemaic period , the Book of the Dead continued to be based on the Saite recension, though increasingly abbreviated towards the end of the Ptolemaic period.
The last use of the Book of the Dead was in the 1st century BCE, though some artistic motifs drawn from it were still in use in Roman times.
The Book of the Dead is made up of a number of individual texts and their accompanying illustrations. Most sub-texts begin with the word ro , which can mean "mouth", "speech", "spell", "utterance", "incantation", or "chapter of a book".
This ambiguity reflects the similarity in Egyptian thought between ritual speech and magical power. In this article, the word spell is used.
At present, some spells are known,  though no single manuscript contains them all. They served a range of purposes. Some are intended to give the deceased mystical knowledge in the afterlife, or perhaps to identify them with the gods: for instance, Spell 17 is an obscure and lengthy description of the god Atum.
Still others protect the deceased from various hostile forces or guide him through the underworld past various obstacles. Famously, two spells also deal with the judgement of the deceased in the Weighing of the Heart ritual.
Such spells as 26—30, and sometimes spells 6 and , relate to the heart and were inscribed on scarabs. The texts and images of the Book of the Dead were magical as well as religious.
Magic was as legitimate an activity as praying to the gods, even when the magic was aimed at controlling the gods themselves.
The act of speaking a ritual formula was an act of creation;  there is a sense in which action and speech were one and the same thing.
Hieroglyphic script was held to have been invented by the god Thoth , and the hieroglyphs themselves were powerful. Written words conveyed the full force of a spell.
The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life.
A number of spells are for magical amulets , which would protect the deceased from harm. In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy.
Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value.
Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available. For most of the history of the Book of the Dead there was no defined order or structure.